Mezzo-soprano Beth Taylor, a member of the Philharmonia Chorus Professional Singer Scheme, reached the final of the 2023 Cardiff Singer of the World Competition. She joined South African soprano Nombulelo Yende, Italian bass Adolfo Corrado, Welsh soprano Jessica Robinson and South African mezzo Siphokazi Molteno in Sunday's final, which was broadcast live on BBC4. The competition was won by Italian bass Adolfo Corrado. For Beth to reach the final was a fantastic result, and all of us at the Philharmonia Chorus salute her achievement.

If so, do come along to our Open Rehearsal, which will take place from 6.30pm to 8pm on Wednesday 31 May at the Gandhi Hall, Indian YMCA, 41 Fitzroy Square, London, W1T 6AQ. The rehearsal will be taken by Chorus Master Gavin Carr, and we'll be working on Verdi's Messa da Requiem. Music will be provided.

We are recruiting for all voice parts for our 2023/24 programme.

Interested? Book your place at the Open Rehearsal by contacting our Personnel Manager Rosslyn Panatti by email.

See 'Join Us' above for details about joining the Chorus.

Not to be left out of the carnival, the fastidious conductor Stanislav Kochanovsky and the constantly rippling pianist Alexei Volodin ditched part of their traditional black for open white shirts. So did half of the Philharmonia Chorus, a formidable force both here and in Sergei Rachmaninov's The Bells, the first half's more tuneful option.
Geoff Brown, The Times, 12 May 2023

The Philharmonia Chorus had that mystically intense quality the music needs.
Ivan Hewett, The Telegraph, 12 May 2023

The Philharmonia Chorus provided a mighty sound in Loud Alarm Bells, their solo movement, but also backed the three soloists stoically.
Mark Pullinger, bachtrack.com, 12 May 2023

On Saturday June 3 the Philharmonia Chorus made its debut at Bold Tendencies, a performing space in a former multi-story car park in Peckham. The Philharmonia Chorus joined the Philharmonia Orchestra in a performance of Holst's The Planets, conducted by young Finnish conductor Emilia Hoving.

A blind princess, a doting father, and a miracle cure that can only act through the power of true love. No composer knew how to tell stories and tug at the heartstrings better than Tchaikovsky, and his melodious, fairytale one-act opera Iolanta leaves audiences reaching for their handkerchiefs every time. For this one-off semi-staged revival at the Royal Albert Hall on 8 November, the Philharmonia Chorus joined a world-class cast of singers who have known Tchaikovsky's music all their lives. The Royal Philharmonic Orchestra was conducted by Vasily Petrenko.

On Thursday 11 May, the Philharmonia Chorus took part in performances of Rachmaninov's The Bells and Scriabin's Prometheus, the Poem of Fire at the Royal Festival Hall, London. The Chorus joined the Philharmonia Orchestra, pianist Alexei Volodin, soprano Anush Hovhannisyan, tenor Toby Spence, and baritone Yuriy Yurchuk. The performances were conducted by Stanislav Kochanovsky.