Amadeus Live! Academy of St Martin in the Fields conducted by Ludwig Wicki, Royal Albert Hall, London, 2 November 2018
The Philharmonia Chorus was on top form with a well-judged mixture of power and pathos. In particular, the heartbreaking Lachrimosa from the 'Requiem' was both haunting and sublimely beautiful.
Alija Al-Hassan, www.broadwayworld.com
Brahms - Ein deutsches Requiem
Philharmonia Orchestra conducted by Karl-Heinz Steffens
Royal Festival Hall, London, 25 March 2018
The Philharmonia Chorus had been superbly prepared by Gavin Carr and delivered a clear, lean sound with faultless intonation. There wasn't a hint of strain to the heftier contrapuntal passages and the text was projected with admirable directness.
Peter Reed, www.classicalsource.com, 26 March 2018
First and foremost, my praise goes to the chorus – and chorus master Gavin Carr – for their outstanding singing. It was one of the best choral singing of the Brahms Requiem I've heard. They sang with a perfect balance of compassion, warmth and clarity of text, and the fugal sections were executed with precision and conviction. Stefan Bevier would have been very proud. Five stars.
Nahoko Gotoh, https//bachtrack.com, 29 March 2018
Walton - Belshazzar's Feast
Philharmonia Orchestra conducted by Edward Gardner
Royal Festival Hall, London, 5 November 2017
The surtitles were not entirely necessary, as virtually every word could be heard from this wonderful body of singers.
Robert Matthew-Walker, www.classicalsource.com, 6 November 2017
The Chorus is celebrating its sixtieth anniversary this season: the original 1957 body of singers set new standards in its day, and on this evidence standards are again very high under the leadership of the current Chorus Master Stefan Bevier. The quality of singing in Belshazzar's Feast was in fact wonderfully high, both technically and in terms of tone quality.
Alan Sanders, www.seenandheard-international.com, 6 November 2017
The choir rewarded Gardner with with singing as poetic in By the Waters of Babylon as it was punchy in the terrifying cry of 'Slain'.
Hugh Canning, The Sunday Times, 19 November 2017
Elgar - The Dream of Gerontius
Symphoniker Hamburg conducted by Paul McCreesh
Kloster Eberbach, Eltville, 2 September 2017
The Philharmonia Chorus was the star of the evening. The chorus of around a hundred men's and women's voices pulled out all the stops, sounding now celestially transported, now devilishly sinister. The top symphony chorus from London, guests for the first time at the Rheingau Music Festival, gave us goose pimples with their piano and their forte had powerfully resonating energy. Together with the orchestra they created an unparalleled apotheosis of sound. Long, refreshing applause from the enthusiastic audience.
Manfred Mertz, Gießener Allgemeine Zeitung, 3 September 2017
Supremely good were the Symphoniker Hamburg and the powerful Philharmonia Chorus from London.
Bernhard Uske, Frankfurter Rundschau, 9 September 2017
Music from the English Musical Renaissance
Marktkirche, Wiesbaden, 31 August 2017
'...Vaughan Williams' Te Deum set the direction towards total vocal magnificence'.
Axel Zibulski, Wiesbaden Kurier, 2 September 2017
Beethoven - Symphony No.9 'Choral'
Philharmonia Orchestra conducted by Benjamin ZanderRoyal Festival Hall, London, 18 March 2017
...this was singing of the highest quality, powerful, controlled, overwhelming
Anthony Hodgson, www.classicalsource.com
The Chorus was staggeringly good throughout.
Colin Clarke, http://seenandheard-international.com