Latest Reviews

Elgar - The Dream of Gerontius
Hamburger Symphoniker conducted by Paul McCreesh
Basilica of the Kloster Eberbach, Rheingau Music Festival
2 September 2017

05 / 09 / 2017

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The Philharmonia Chorus was the star of the evening. The chorus of around a hundred men's and women's voices pulled out all the stops, sounding now celestially transported, now devilishly sinister. The top symphony chorus from London, guests for the first time at the Rheingau Music Festival, gave us goose pimples with their piano and their forte had powerfully resonating energy. Together with the orchestra they created an unparalleled apotheosis of sound. Long, refreshing applause from the enthusiastic audience.
Manfred Mertz, Gießener Allgemeine Zeitung, 3 September 2017


Supremely good were the Symphoniker Hamburg and the powerful Philharmonia Chorus from London.
Bernhard Uske, Frankfurter Rundschau, 9 September 2017

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Music from the English Musical Renaissance
Thomas Frank (organ), Philharmonia Chorus conducted by Stefan Bevier 1 / 09 / 2017


'...Vaughan Williams' Te Deum set the direction towards total vocal magnificence'.
Axel Zibulski, Wiesbaden Kurier, 2 September 2017

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Beethoven - Symphony No.9 'Choral'
Philharmonia Orchestra conducted by Benjamin Zander
Royal Festival Hall, London, 18 March 2017
19 / 03 / 2017

...this was singing of the highest quality, powerful, controlled, overwhelming
Anthony Hodgson, www.classicalsource.com

The Chorus was staggeringly good throughout.
Colin Clarke, http://seenandheard-international.com

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Beethoven - Missa Solemnis
Hamburger Symphoniker conducted by Sir Jeffrey Tate
Elbphilharmonie, Hamburg, 17 January 2017
20 / 01 / 2017

Above the introductory Kyrie in his Missa Solemnis Beethoven wrote that it should speak from one heart to another. This wish was fulfilled in the first concert given by Sir Jeffrey Tate and the Hamburger Symphoniker in the Elbphilharmonie. The music sang and breathed, although often challenged by hall's to some extent problematic acoustic, obstinate and dry. It reached the soul, comforting and shattering at the same time. The rest of the audience probably felt the same – for a long time they dared not applaud, and then broke the inner tension with great waves of rejoicing. The substantial Philharmonia Chorus from London, a top class quartet of soloists, and the orchestra on splendid form roused overwhelming emotions.

Die Welt
19 January 2017

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Beethoven - Missa Solemnis
Orquesta de Valencia conducted by Yaron Traub
Iturbi Hall, Palau de la Música, Valencia, 3 December 2016
5 / 12 / 2016

The splendid Philharmonia Chorus marked the highest points of the night. It is precisely the choral component that is the most essential part of the work, here remarkably performed by the 110 voices of the celebrated London chorus, prepared by its director the great Stefan Bevier. They were, by far, the best thing of the concert. All their interventions moved in excellence. From the brilliant Kyrie and Gloria to the internalized and finely tuned Agnus Dei, which closes the great Beethovenian Mass, or to the ardent Credo in unum Deum, the British chorus raised quality and artistry to the highest levels.

The applause increased with deserved clamour whenever the Stefan Bevier raised his exceptional chorus. What a chorus!

Justo Romero, Levante - El Mercantil Valenciano

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Beethoven - Missa Solemnis
Orquesta de Valencia conducted by Yaron Traub
Auditorio de la Diputación, Alicante, 2 December 2016
4 / 12 / 2016

The Israeli director was lucky enough to rise to this occasion with a sensational choir, the Philharmonia Chorus, one of the most prestigious in Europe since the legendary Otto Klemperer, producer Walter Legge and the great Wagnerian choir master Wilhelm Pitz jointly found it in 1957. Prepared for this occasion by its director Stefan Bevier, the other major contributor to this excellent concert, they managed to create a feeling of incessant tension, even in the quietest passages, with which Beethoven wanted to bring the maximum choral expression to his musical ideas.
José Antonio Cantón, El Mundo

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